Information

Cover Design: Michael Vanderby
Editor in chief: Yoshihisa Ishihara
Editorial Director: Kazuchika Sunaga
Publisher: Shigeo Ogawa
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake

Content includes:
Special Feature: Art Directors Club of Los Angeles 37th Annual Exhibition by Gerry Rosentswieg, Mac M. Churchill, Art Goodman, Heidi Rickabaugh, Michael Vanderbyl, Takenobu Igarashi
Lieve Prins’ Graphical Arts by Color Copy Machine by Shigeru Watano
Works of Jessica Weber by Alan Peckolick
Poster Exhibition for Palestine and the Third World by Ichiro Haryu
Emery Vincent Associates by Jeremy Press
Polish Circus Poster Exhibition by Akiko Hyuga
Calligrapher, Tim Girvin
Walter Landor’s Work Resulting from Delicate Balance of Reason and Emotion by Philip R. Seefeld
Japanese Graphic Idea Exhibition ’84 Enjoyed High Admiration in New York by Yoshihisa Ishihara
Lecture on Trompo L’oeil Lecture 3 by Shigeo Fukuda

Details

Linked Information

Idea 186, 1984-9. Cover design by Michael Vanderby
Idea 186, 1984-9. Cover design by Michael Vanderby
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.
The most comprehensive account of ghost signs ever published, focusing on London’s hand-painted relics of advertising past

Members Content

The 1960 awards presented 420 poster entries from Swiss designers. Notable winners included Robert Büchler's typographic poster for the Museum of Applied Arts Basel and J. Müller-Brockmann’s Der Film poster for the Museum of Applied Arts and Gerstner + Kutter's asymmetric typographic poster for National-Zeitung SA Basel.
Ken was born in 1929, in Southampton and grew up in a small market town in North Devon. He was a principled man, with strong values and views against the hyper-consumerism we live with today. Ken studied at the London Central School of Arts and Crafts in the 1950s and was taught by Herbert Spencer, Anthony Froshaug and Jesse Collins. Whilst at the School he studied alongside designers Ken Briggs, Alan Fletcher and Colin Forbes.