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Content includes:
Le Corbusier (Dr. Hans Curjel)
Polish Posters (Henryk Szemberg)
Ancient Peruvian Art (Prof. Dr. H.D. Disselhoff)
The Compleat Imbiber (Charles Rosner)
Bruno Caruso (Manuel Gasser)
Pierre M. Comte (Francois Stahly)
Record Cover Designs (Robert M. Jones)
The Kalighat Bazaar Paintings (W.G. Archer)
The International Language of the Trade Mark (Franz Hermann Wills)
International Design Conference, Aspen, Colorado (W.M. de Majo)

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Graphis 72, 1957. Cover design by Celestino Piatti.
Graphis 72, 1957. Cover design by Celestino Piatti.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
I have long been a fan of Counter-Print, as a student, I would order their newsprint publications, peruse their Flickr albums and now, over a decade later I still buy their latest releases and their site provides our staff with great giftse throughout the year. I interviewed one of the founders, Jon Dowling to find out more about setting up Counter-Print, their favourite books and which publishers inspire them.
An advertising programme is fully integrated only when its effect is powerful enough to play a major part in determining a corporate image. Geigy advertising is an example of this successful integration.

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The advertising agency played a crucial role in shaping consumer culture by acting as a bridge between businesses and the media and was stated to have started in the mid-19th century.
I came across two sample books containing printed examples of the work executed by the students in the Composing and Machine Departments of the Polytechnic School of Printing, between 1907 and 1910. I couldn't resist adding these to the archive.