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Content includes:
Prof. Richard Guyatt (London): The Royal College of Art, London
Kim Taylor (Zurich): Stig Lindberg
Yvon Taillandier (Paris):Jean Arp
Michael Haber (London): Announcements
Dr. Juliane Roh (Munchen): Ex voto. Votive Pictures from Bavarian Churches
Beatrice Warde (London): The Promotion of Type Faces
Franz Hermann Wills (Berlin): Hans Hillmann
Edgar Mansfield (London): New Directions in Modern Bookbinding
Stanley Roberts (London): Bill Slattery

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Graphis 84, 1959. Cover design by Stig Lindberg.
Graphis 84, 1959. Cover design by Stig Lindberg.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
An article by Jan Tschichold illustrated with examples of publicity produced by Brann of Zürich.

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Giovanni began his work with Olivetti in March 1938, and his work was showcased in various exhibitions and had a clear distinctive style that amplified the Olivetti brand image. His design defined the company’s visual image, and the iconic geometric designs are still as powerful and engaging today as they were in the 1950s.

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Bäumer gave the company a unique brand image amplifying its graphical image after a time of post-war economic recovery. This style of advertising composition can be seen across many 1960s campaigns, especially from other German designers such as Anton Stankowski.
Elizabeth Resnick is a Professor Emerita, former chairperson of the Graphic Design Department, and current part-time faculty at Massachusetts College of Art and Design, Boston, Massachusetts, since 1977. She ran her own independent Boston design studio from 1973 to 1996, working with many high-profile clients and is a passionate design curator who has organized seven comprehensive design exhibitions. I interviewed Elizabeth about her journey in the field, her early influences and some of the many items in her collection.