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Content includes:
Severi Parko, Helsinki: Finnish Design
Dr. Hans A. Halbey, Offenbach a/M: Artistic Quality in the Children’s Book
Manuel Gasser, Zürich: 13th JAAC Exhibition, Tokyo. Japan’s Young Designers Show Their Paces
E.W. Ted Poyser, Los Angeles: Western American Advertisting Art
Hans Neuburg, Zürich: Simpicissimus. Illustrated by Max Hunziker

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Graphis 111, 1964. Cover design by Ritva Puotila.
Graphis 111, 1964. Cover design by Ritva Puotila.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Stephan Kantscheff (Stephan Kanschev) was a Bulgarian artist born in Kaefer, Todental. His colourful palette and joyous, folk-esque illustrations won him many commissions and his work was celebrated for both its quality and social significance.

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Joseph Binder established his studio, Wiener Graphik, in Vienna. One of the first clients was the City of Vienna’s Music and Theater Festival, followed by many other posters and logos for clients in Austria and beyond.
“They’ll never stand for that” and “It’s too modern” are, as George Plante aptly puts it, the restraintive thoughts which beset a commercial artist who tries to let himself go.

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Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978.