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Museumjournaal, Serie 24 no5, 1979. Cover design by Jan van Toorn.
Museumjournaal, Serie 24 no5, 1979. Cover design by Jan van Toorn.

 

Museumjournaal, Serie 24 no5, 1979. Cover design by Jan van Toorn.
Museumjournaal, Serie 24 no5, 1979. Cover design by Jan van Toorn.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
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The typographic supplement from Der Druckspiegel, October, 1961 features typographic compositions designed by Herbert Bossin. Bossin has solely used the typeface Folio, to illustrate its flexibility and versatility alongside imagery provided by Lothar Blanvalet Verlag.

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Oldřich Hlavsa worked primarily in publication design and typography and played a major part in Czech graphic design history. He designed over 2000 book covers and published a series of his own books related to typography.
An advertising programme is fully integrated only when its effect is powerful enough to play a major part in determining a corporate image. Geigy advertising is an example of this successful integration.

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A total of 24 posters were created for the campaign during 1964, using the arrow symbol as a key features, representing power, motion and speed. The handmade lithographs use up to 19 colours, which were individually printed at large scale. The posters also utilise the brand colours red and yellow from Shells corporate identity.