Information

Edited by Museum für Gestaltung Zürich
With an essay by Robert Massin
Design: Integral Lars Müller
64 pages, 70 illustrations
paperback
2003, 978-3-03778-016-9, German/English

“Ralph Schraivogel (born 1960 in Zurich) is one of Switzerland’s best-known contemporary poster designers. He made a name for himself very quickly in the early 90s with experimental posters combining classical manual work with computer-assisted design methods. Complex structural patterns and his use of photography make his work visually unmistakable. Interpretative force and reduction to essential content are particular features of his posters. His work has been exhibited in Tokyo, Paris, New York and Warsaw, and has won numerous prizes. This Poster Collection monograph is the first about his work. The book will contain all his posters and provide detailed information about his working methods.” Lars Müller Publishers

Details

Linked Information

Ralph Schraivogel, Poster Collection 9, 2003
Ralph Schraivogel, Poster Collection 9, 2003
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Graphic design continues to be documented and an increase in individualised documentation and curated social media accounts are furthering our knowledge of design from a worldwide historic standpoint. I would not feel complete without the collected design that spans the shelves of my archive. It’s my identity, my passion and my hobby.

Members Content

Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.

Members Content

The 1960 awards presented 420 poster entries from Swiss designers. Notable winners included Robert Büchler's typographic poster for the Museum of Applied Arts Basel and J. Müller-Brockmann’s Der Film poster for the Museum of Applied Arts and Gerstner + Kutter's asymmetric typographic poster for National-Zeitung SA Basel.

Members Content

A collection of letterpresses German brochures from 1959/1960 designed by Hans Geipel for Süddeutsche Rundfunk (SDR), the South German Radio Network based in Stuttgart.