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Content includes:
A sufer in fun city “Charlie White” by Richard Merkin
Shell’s total marketing design programme
Anspach Grossman Portugal Inc.
Initiator for young designers Hiroshi Morishima by Yusaku Kamekura
Hiroshi Yamashita
Silvio Coppola by Hiroshi Ohchi
Sudarshan Dheer
Paul Giambarba in Polaroid’s package design
Bijutsu-Bunka (Culture of Fine Arts) Exhibition
Book review “Identity Kits” A Pictorial Survey of Visual Signals
Nob Fukuda
Traditional Japanese Package Designs
Tsurunosuke Fujiyoshi’s oil-painting

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Idea 120, 1973-9. Cover design by Charlie White
Idea 120, 1973-9. Cover design by Charlie White
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
A country is never dead so long as it has an art. Austria is a proof of this maxim. Its liveliness since the war is liveliness which has displayed itself in the arts to a remarkable extent : it deserves the world's admiration and respect.
In Rau's case, the combination of graphic design and photo produces a particularly positive result, since he uses the photo not so much as an object of representation but rather as a suggestive means of expression.
The most comprehensive account of ghost signs ever published, focusing on London’s hand-painted relics of advertising past

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Joseph Binder established his studio, Wiener Graphik, in Vienna. One of the first clients was the City of Vienna’s Music and Theater Festival, followed by many other posters and logos for clients in Austria and beyond.