Information

Content includes:
Le Parc and the Group Problem by Frank Popper
The ‘Reflected Light Compositions of Ludwig Hirschfeld-Mack by Basil Gilbert
Letter from Hirschfeld-Mack to S. Lawder
A Little Night Music by Charles Tomlinson
For or Against a Structuralist Aesthetic ? by Gillo Dorfles
Introduction to a Modern Portrait by Mike Weaver
Emanuel Romano by William Carlos Williams
Great Little Magazines: No. 2, ‘Blues’
‘George Hugnet’ by Gertrude Stein
‘Sonnet’ by Parker Tyler
London letter from Sidney Hunt
San Francisco letter from Kenneth Rexroth
‘Are Poem’ by Charles Henri Ford
‘July 5th 1929’, by Sidney Hunt
‘Can the Poet Change the World ?’ by Gottfried Benn & Johannes R. Becher

Details

Linked Information

Form, No.2, September 1966
Form, No.2, September 1966
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

The advertising agency played a crucial role in shaping consumer culture by acting as a bridge between businesses and the media and was stated to have started in the mid-19th century.

Members Content

His distinctive style echoes the artistic expressions of fellow Italian designers Giovanni Pintori and Erberto Carboni. Tovaglia's mastery in taking concepts and translating them into visually compelling narratives is evident in this selection of advertisements I have scanned from Gebrauchsgraphik, 10, 1955.

Members Content

Oldřich Hlavsa worked primarily in publication design and typography and played a major part in Czech graphic design history. He designed over 2000 book covers and published a series of his own books related to typography.

Members Content

The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.