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Fodor 7, 1972 - Kees Gerritse and Olaf van der Beek. Designed by Wim Crouwel and Jos van der Zwaan (Total Design).
Fodor 7, 1972 – Kees Gerritse and Olaf van der Beek. Designed by Wim Crouwel and Jos van der Zwaan (Total Design).

 

Fodor 7, 1972 - Kees Gerritse and Olaf van der Beek. Designed by Wim Crouwel and Jos van der Zwaan (Total Design).
Fodor 7, 1972 – Kees Gerritse and Olaf van der Beek. Designed by Wim Crouwel and Jos van der Zwaan (Total Design).
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They were many other designs who played an important role in IBM's graphic identity and implementation. Some of the other designers included Arthur Boden, Clarence Lee, Charles Keddie and Mary Beresford.

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The collection of works I've gathered, designed for Olympia-Werke, showcases the height of mid-century German commercial artistry. The work was collated in a branded folder and contained forty brochures, advertisements and manuals.

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Max Huber worked across advertising, packaging, design and industrial design. He had a distinctive style that skillfully blended bright hues with photomontage.

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As a chemist, I have an obligation to be curious – I grab a stack of our chemical journals and start with the advertising section. I start it, the walk through the sand. I don’t want to deny some oases. But soon I’m bored and tired.