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Content includes:
Pnina Avidar, Max Cohen de Lara, David Mulder, Marieke van Rooy, Editorial
Eric Bolle, The Philosophy of Exile
Sophia Vyzoviti, The “Immigrant’s Place of Getting Together” in Downtown Athens, A Model of Necessary Physical Environmental Conditions
Igor Marjanovic, Katerina Rüedi Ray, Chicago Immigration: Dreamscapes and Datascapes
Raoul Bunschoten, Longing and Belonging
Els Verbakel, Frontier Margins: Border Spaces in Flanders Fields
Max Cohen de Lara, Marieke van Rooy, Cultural Diversity as the Basis for Urbanism, An Interview with Haroon Saad
Oscar van den Boogaard, The House on the Surface of the City

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OASE 68, 2005. Designed by Karel Martens, Jeff Ramsey, Werkplaats Typografie
OASE 68, 2005. Designed by Karel Martens, Jeff Ramsey, Werkplaats Typografie

 

OASE 68, 2005. Designed by Karel Martens, Jeff Ramsey, Werkplaats Typografie
OASE 68, 2005. Designed by Karel Martens, Jeff Ramsey, Werkplaats Typografie
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Among the young graphic artists of Berlin, who set to work after the war, Hans Adolf Albitz and Ruth Albitz-Geiß can claim special attention. In a short time, at a period when economic conditions were pretty unfavourable, they worked themselves so to the fore that their names came to mean something in Berlin publicity, and in western Germany their posters are known and appreciated, too.

Members Content

As part of an ongoing series showcasing Swiss poster designs from the 1950s and 1960s, this article features 1961 poster entries of Die besten Plakate des Jahres (The Best Posters of the Year) 1961. Originating in 1941, Die besten Plakate des Jahres initially served as a platform for the evaluation and showcase of Swiss posters.

Members Content

Katayama worked in several art and design disciplines from graphic design and sculpture to environmental works and sculpture. His design work features rhythms and patterns and has a resemblance to modern jazz and the studies of Josef Albers.
A review of the memorial exhibition of Edward McKnight Kauffer at the Victoria and Albert Museum in 1955 by F.H.K. Hernion