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Content includes:
Christoph Grafe, Klaske Havik, Madeleine Maaskant, Editorial
Christophe Van Gerrewey, Total Abscence of Illusion, Unlimited Commitment
Wim Cuyvers, From the Dream of the Novel Turned to Stone to the Acknowledgment of Public Space
David Mulder, A Lifelong Limousine, A discussion of Jonathan Safran Foer’s Extremely Loud & Incredibly Close (2005)
Klaske Havik, Lived Experience, Places Read: Toward an Urban Literacy
Hüsnü Yegenoglu, Melancholy and the City, A discussion of Orhan Pamuk’s Istanbul: Memories of a City (2005)
Katja Grillner, Rolf Hughes, Room within a View: A conversation on Writing and Architecture
Harald Mooij, Things that Pass By, A discussion on Winfried Georg Sebald’s Austerlitz (2001)
Madeleine Maaskant, Manet van Montfrans, The National Museum of Ethnology, a Dream
Arthur Wortmann, God is a House, A discussion of Mark Danielewski’s Houe of Leaves (2000)
Koen Deprez, Leafing through Space
Sebastiaan Veldhuisen, I Wrap Myself in this Town A discussion of György Konrad’s The Town Planner (1977)
Ed Taverne, Kan mann in Hoyerswerda küssen?’, Franziska Linkerhand (1973), an architectural novel by Brigitte Reimann

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OASE 70, 2006. Designed by Karel Martens, Louise Dossing, Susanne Stetzer, Werkplaats Typografie
OASE 70, 2006. Designed by Karel Martens, Louise Dossing, Susanne Stetzer, Werkplaats Typografie
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From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
"Rudy is one of the unsung pioneers of American mid-century modernist graphic design. He had a unique and definitive point of view that was really never celebrated. This may have been attributed to his strict adherence to the formal principles of modernism and the International Typographic Style."
In Rau's case, the combination of graphic design and photo produces a particularly positive result, since he uses the photo not so much as an object of representation but rather as a suggestive means of expression.

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Wolfgang Weingart's artistic design delved into the intricacies of Swiss typography, skillfully dissecting its elements while venturing into texture and type experimentation. His layered montages radiated dynamic kinetic energy, standing in stark contrast to the minimalist approach of his instructors, embracing a more maximalist aesthetic.

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Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.