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Content includes:
Hans Teerds, Klaske Havik, Véronique Patteeuw, Editorial. Productive Uncertainty
Indeterminacy in Spatial Design, Planning and Management
Hans Teerds, John Habraken, Klaske Havik, Define and Let Go
Els Vervloesem, Michiel Dehaene, When Urban Design Leaves Some Room
Erik Rietveld, Ronald Rietveld, The Paradox of Spontaneity and Design
Yeoryia Manolopoulou, The Practice of Chance
Thierry Lagrange, A Matrix as an Analogous Space
Hannes Schwertfeger,
The Parlous Existence of Fragile Architecture
Anne Holtrop, Reverse Process of Mountain Digging & A Tower
Iris Schutten, Development-Based Management
Tom Vandeputte, Economy and Excess. Three Recent Projects by Lacaton & Vassal
Dimitri Messu, Two or Three Things I Know about Her

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OASE 85, 2011, Productive Uncertainty. Designed by Aagje Martens and Karel Martens
OASE 85, 2011, Productive Uncertainty. Designed by Aagje Martens and Karel Martens
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
The covers of the periodical ALMANAQUE, which was published in Lisbon, are perfect examples of this pleasure in the unusual and the force of with which all sorts of foreign influences are assimilated.

Members Content

Before ascending to fame within the contemporary art scene, Warhol enjoyed a thriving career as a commercial artist. His illustration work was commissioned by various magazines, including The New Yorker, Vogue, and Harper's Bazaar.
Simon Dixon is the co-founder of DixonBaxi and has been at the forefront of exceptional design from the start of his carreer. This year, DixonBaxi, celebrated twenty years in business, and their team of forty work with clients such as WWE, MAX, Premier League, Channel 4 and Netflix.

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Giovanni began his work with Olivetti in March 1938, and his work was showcased in various exhibitions and had a clear distinctive style that amplified the Olivetti brand image. His design defined the company’s visual image, and the iconic geometric designs are still as powerful and engaging today as they were in the 1950s.