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A Generation of Graphic Art
1935 Georg Salter, Raymond Lufkin
1936 Lynd Ward, Bruce Rogers
1936 Gustav Jensen, Samuel Bernard Schaeffer
1936-37 Lester Beall, Lucian Bernhard
1937 E. McKnight Kauffer
1937 Clarence P. Hopkins
1937 Laszlo Matulay, William Edwin Rudge
1938 Bauhaus, Herbert Bayer
1938 Joseph Binder, Hans J. Barschel
1939-40 Gyorgy Kepes, Howard W. Willard
1940 G. Giusti, Jean Carlu
1940-41 Paul Rand, Hans Moller
1941-42 George Krikorian, Lester Beall
1941 Will Burtin
1941 Alex Steinweiss
1942-47 Advance guard of advertising artists, Four veterans Alex Steinweiss
1947 Paul Rand, Ladislav Sutnar
1948-49 Ben Rose, Alvin Lustig, Will Burtin
1950,59 Morton Goldsholl, Brownjohn, Chermayeff & Geismar
1960 Brownjohn, Chermayeff & Geismar / Lester Beall / Gene Federico / McCall’s Magazine
1949-66 Hal Zamboni, Irving Miller, CBS, Peter Hirsch, The Push Pin Studios, Aaron Burns
1960-61 Lester Rossin Creative Group Inc., Milanese Graphic Designers, Parisian Graphic Designers, New York Times, Sudler & Hennessey, Canadian Broadcasting Corporation, Art Kane
1962-65 Gyorgy Kepes, Fortune Magazine, John Massey, Time Magazine, NBC Television
1966 CBS Television, Carl Ally, Inc.
1965-66 Geigy Chemical Corporation, Metromedia Inc., Ward & Saks
Illustrator Lunn Sweat
Illustrator Murray Tinkelman
Hemis Fair ’68
Danger states for art director by Henry Wolf

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Idea 90, 1968-9. Cover design by Koichiro Inagaki
Idea 90, 1968-9. Cover design by Koichiro Inagaki
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
My lectures and workshops also help bridge the gap between academia and industry. Through my lectures and collecting, I strive to promote design as a ever-changing dynamic industry that has the power to shape and improve the world we live in.
In Rau's case, the combination of graphic design and photo produces a particularly positive result, since he uses the photo not so much as an object of representation but rather as a suggestive means of expression.

Members Content

The 1960 awards presented 420 poster entries from Swiss designers. Notable winners included Robert Büchler's typographic poster for the Museum of Applied Arts Basel and J. Müller-Brockmann’s Der Film poster for the Museum of Applied Arts and Gerstner + Kutter's asymmetric typographic poster for National-Zeitung SA Basel.
Projekt 26 is a fantastic online store dedicated to vintage Polish posters, as well as operating online, both Harriet and Sylwia also run poster markets, social accounts full of the vibrant works and have a radiating passion and knowledge of the subject.