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Jazz 1965, Record Catalogue, 1965. Designed by michel + kieser and Holger Matthies
Jazz 1965, Record Catalogue, 1965. Designed by michel + kieser and Holger Matthies

 

Jazz 1965, Record Catalogue, 1965. Designed by michel + kieser and Holger Matthies
Jazz 1965, Record Catalogue, 1965. Designed by michel + kieser and Holger Matthies

 

Jazz 1965, Record Catalogue, 1965. Designed by michel + kieser and Holger Matthies
Jazz 1965, Record Catalogue, 1965. Designed by michel + kieser and Holger Matthies

 

Jazz 1965, Record Catalogue, 1965. Designed by michel + kieser and Holger Matthies
Jazz 1965, Record Catalogue, 1965. Designed by michel + kieser and Holger Matthies
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Oskar Reiner advertisements for Opel distinguish themselves by clarity and visually appealing conception.
The background of Kamekura's mark designs is his boldness in eliminating all the waste, combining simplification derived from Japanese traditional family crests and Western intellectual mechanics of formation with a sharp modern sense of composition.
The first American university to accept graphic designers as members of the faculty was the Massachusetts Institute of Technology, called M. I. T, for short. The work created by the design group reflects the high level of instruction, the realistic setting of the training and the progressive philosophy of this institute.
A review of the memorial exhibition of Edward McKnight Kauffer at the Victoria and Albert Museum in 1955 by F.H.K. Hernion