Industrial Art News – Vol. 30, No. 1, Spring 1962

Information

Content includes:
Facing problems of our wooden furniture industry
Design review 1961
Railroad cars: Hagiwara Masao
Vehicles : Yura Reikichi
Optical items: SIS group
Sound Equipments: Omura Ichirö
House Appliences : Minagawa Tadashi
House Utensils and Accesaries: Hattori Shigeo, Tsukio Söichi
Effort for the Improvement Of Domestic Items: Nashitani Sachio
Furniture and Fablic: Mizunoe Tadaomi
Lighting : Nagahara Kiyoshi
A reminder of 1961
The 2nd Kaufmann international design award honored Gropius: KOIKE Iwatarö
The 2nd general assembly of ICSID at Venice: IWATA Yoshiharu
The 2nd machinery design competition
Winning disigns of the 10th annual Mainichi industrial design competition
News, exhibitions

Details

Linked Information

Industrial Art News - Vol. 30, No. 1, Spring 1962. Cover design by Kenji Ito
Industrial Art News – Vol. 30, No. 1, Spring 1962. Cover design by Kenji Ito
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Walter Ballmer was a Swiss graphic designer born in Liestal, Switzerland in 1923. He worked across various design disciplines including advertising design, packaging, typography and exhibition design.

Members Content

This 1,500 word essay focused on the work of Jan Bons. One of the most prominent figures in Dutch design history. For over three-quarters of a century, he crafted a mass of work with many long-time collaborators.
In the late 1960s, IBM was one of the world’s pre-eminent corporations, employing over 250,000 people in 100 countries. While Paul Rand’s creative genius has been well documented, the work of the IBM staff designers who executed his intent outlined in the IBM Design Guide has often gone unnoticed.
"Rudy is one of the unsung pioneers of American mid-century modernist graphic design. He had a unique and definitive point of view that was really never celebrated. This may have been attributed to his strict adherence to the formal principles of modernism and the International Typographic Style."