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Content includes:
Invisible Translators. An Interview with Elektrosmog by deValence
Illustrating Photography. The Enfants du Monde by Dominique Darbois by Catherine de Smet
Digital Images Code Countdown. Interview with Benoît Rosemont, illusionist by Aurélien Froment
About Pioneers of Modern Typography by Herbert Spencer Étienne Robial
At to speed. About Mercier and Camier by Samuel Beckett by Olivier Gadet
A Perisher’s Nostalgia: Books and Art–SomeSmacks® on a Relational Crisis by Christoph Keller
Reading between the lines. About Structures and Connections, conceived by Wladislaw Pluta by François Chastanet

Back Cover, graphic design, typography, etc. is a publication focused on thinking and analyzing graphic design and typography’s practices; and to a larger extend visual arts. Back Cover is a featuring showcase for major figures from all over the world who make or review the visual environment we live in; and whose works, ideas or opinions are strong and relevant. Designers of all kind are particularly encouraged to publicise their word in it.

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Back Cover 02, 2009. Designed by deValence
Back Cover 02, 2009. Designed by deValence

 

Back Cover 02, 2009. Designed by deValence
Back Cover 02, 2009. Designed by deValence
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Giovanni began his work with Olivetti in March 1938, and his work was showcased in various exhibitions and had a clear distinctive style that amplified the Olivetti brand image. His design defined the company’s visual image, and the iconic geometric designs are still as powerful and engaging today as they were in the 1950s.

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Theo Crosby was born in South Africa in 1925 and moved to Britain in the late 1940s. He was a highly skilled designer, architect and sculptor. He became the technical editor of Architectural Design magazine in 1953 and remained in the post for almost a decade. The large format magazines feature an array of content including information on buildings, materials and architectural plans.
"Rudy is one of the unsung pioneers of American mid-century modernist graphic design. He had a unique and definitive point of view that was really never celebrated. This may have been attributed to his strict adherence to the formal principles of modernism and the International Typographic Style."
Gabriel sent me a link to his amazing Uruguayan Graphic Design Archive when I launched Design Reviewed. The content was so amazing, I ended up spending a good hour looking through the content and it has definitely made it to my bookmarks.