Information

Content includes:
Ketchum, Macleod & Grove, Inc.
José Pla Narbona
“Firm marks, Typology of marks, Advertising elements. Compact advertisement” by O. S. Rechenauer, Anton Stankowski
Calendar & Greeting Card ’70
Samuel Kirson
Graduation Works of Graphic Art Students by Midori Imatake
The Future of Illustrators by Daniel Schwartz
Tsutomu Toguchi
Jan Pienkowski
Contemporary new typefaces in Japan

Details

Linked Information

Idea 101, 1970-7. Cover design by Jun Tabohashi
Idea 101, 1970-7. Cover design by Jun Tabohashi
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Wolfgang Weingart's artistic design delved into the intricacies of Swiss typography, skillfully dissecting its elements while venturing into texture and type experimentation. His layered montages radiated dynamic kinetic energy, standing in stark contrast to the minimalist approach of his instructors, embracing a more maximalist aesthetic.

Members Content

“Der Druckspiegel” typographic supplement May 5, 1967, was focused on a selection of the winning entries from Die besten Plakate des Jahres featuring over fifty winning entries.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.

Members Content

Publimondial was founded André Roulleaux in 1942 and remained in circulation until 1960. The French journal was published by Art et Publications and was subtitled ‘The Magazine of Graphic Arts and Advertising Technique’.