Join the Mailing List

Membership

Collected Graphic Design History from Design Reviewed

Commercial Art Vol 8, No 47, May 1930

Information

Content includes:
British Advertising at the Monza Exhibition: Commercial Art organises the great display
-And now- Modern copy – Commercial Art and the Revolution of the Word By G. H. Saxon Mills
Nectar -the porter-a new and successful character in the romance of publicity By Marcel Valotaire
Making Friends for the Hotel By Clifford Whitley
Advertising the Telephone in America By Edwin J. Stiger
The Hoarding of To-day By Cyril Sheldon
The C.A. Chronicle: Recent Productions, Views, Notes, etc.
W. S. Crawford Lid. Framed Exhibit of Booklets to be shown at the Monza Exhibition
Rex Whistler. Poster. London Museum
Victor Hicks. Booklet Cover. London from Aloft
K. Burrell of the Clement Dane Studio. Poster. Orient Line Cruises

Details

  • Format: Magazine
  • Year: 1930
  • Client/Publisher: The Studio Ltd.
  • Size: 205mm x 290mm

Linked Information

Commercial Art and Industry Vol 8, No 47, May 1930
Commercial Art and Industry Vol 8, No 47, May 1930
More graphic design artefacts
Roots, 37 Paul Mijksenaar
From the design archive:

Roots, 37 Paul Mijksenaar

  • Format: Book
View Artefact
Typografische Monatsblätter, 3, 1976. Cover design by Heinrich Fleischhacker
From the design archive:

Typografische Monatsblätter, 3, 1976

  • Format: Magazine
  • Designer/s: Heinrich Fleischhacker
  • Year: 1976
View Artefact
Idea 021, 1957. Cover design by Hiroshi Ohchi
From the design archive:

Idea 021, 1957

  • Format: Magazine
  • Designer/s: Hiroshi Ohchi
  • Year: 1957
View Artefact
Rut Bryk, Stedelijk Museum, Amsterdam, 1970 designed by Wim Crouwel and Jolijn van de Wouw (Total Design)
From the design archive:

Rut Bryk, Stedelijk Museum, Amsterdam, 1970

  • Format: Exhibition Catalogue
  • Designer/s: Wim Crouwel and Jolijn van de Wouw (Total Design)
  • Year: 1970
View Artefact

view more of the graphic design archive

More graphic design history articles

Members Content

Advertisements for Radio Italiano designed by Erberto Carboni Scanned from Publimondial 29, 1950
  • Design Archive Feature, Members Only Content

Erberto Carboni and his work for Radio Italiana, 1940s and 1950s

These one-colour forms have a playful but structured aesthetic through their geometric forms, they remind me of the abstract line drawings of Picasso blended with Jan Tschichold and the New Typography.
Read Article
mlfineart-matteolampertico-franco-grignani-dissociazione-al-bordo-n.-145-1967 copy
  • Designer Interview

My Grandfather Franco Grignani, with Emiliano Grignani

Emiliano Grignani is the grandson of Franco Grignani, one of the most versatile and influential Italian designers. Well-known for his advertising, painting and the way he could visualise motion in such a unique way. I interviewed Emiliano to find out more about Franco and his influence on graphic design and the great resource, https://www.francogrignani.info.
Read Article
Front and back pages of the cover of a catalogue designed for Brann of Zürich by Ch. Vohdin
  • Design Archive Feature

Advertising the German Store by Jan Tschichold illustrated with design by Brann, 1931

An article by Jan Tschichold illustrated with examples of publicity produced by Brann of Zürich.
Read Article
Publicity for Higher Education in the USA by J. J. De Lucio-Meyer
  • Design Outlook

Publicity for Higher Education in the USA by J. J. De Lucio-Meyer

The first American university to accept graphic designers as members of the faculty was the Massachusetts Institute of Technology, called M. I. T, for short. The work created by the design group reflects the high level of instruction, the realistic setting of the training and the progressive philosophy of this institute.
Read Article