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Content includes:
Totschlagen will gelernt sein.
Aus Hans Talhoffers Fechtbuch.
..und Alles ist Dressur. Beobachtungen von Thomas Mayfried.
Lehrer sind sie alle. Fotos von David Doubilet und ein Kommentar von Josef M. Reichholf.
Gelacht wird später. Dimitris Clownschule, fotografiert von Hans Siwik, beschrieben von Robert Vilim.
Blinde sehen. Eine Reportage von Andreas Bohnen-stengel (Fotos) und Rainer Stephan (Text).
Die Schule im vorigen und diesem Jahrhundert. Ein Text von Stefan Zweig, ergänzt von Rainer Stephan. Fotos von Michael Wesely.
École de Fontainebleau. Ein Essay von Peter Anselm Riedl.
Beispiele von Handwerksbüchern, kommentiert von Klaus-Jürgen Sembach.
Das Ganze ist mehr als die Summe seiner Teile. Ottmar Schnepp fotografierte den Mythos Bauhaus.
Die Abteilung Visuelle Kommunikation an der Hochschule für Gestaltung- 1951 bis 1968. Ein Bericht von Peter von Kornatzki (Text) und Rolf Müller.

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HQ- High Quality, Heft 29 2/1994. Designed by Büro Rolf Müller
HQ- High Quality, Heft 29 2/1994. Designed by Büro Rolf Müller
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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.
Armin Hofmann's publicity for the Stadttheater Basel. The client, in this case, the Municipal Theater of Basel, refused to listen to narrow-minded critics, in spite of the fact that as a state-subsidized enterprise it is accountable to public opinion.

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Theo Crosby was born in South Africa in 1925 and moved to Britain in the late 1940s. He was a highly skilled designer, architect and sculptor. He became the technical editor of Architectural Design magazine in 1953 and remained in the post for almost a decade. The large format magazines feature an array of content including information on buildings, materials and architectural plans.

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Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.