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Content includes:
Chicago: die Romanze zwischen Kommerz und Kultur. Ein Bericht von Jay Pridmore
Inside out. Outside in. Ein Portrait aus Fotos von Bob Thall (Architektur) und François Robert (Menschen)
In der Ablage: de Oswald-Cooper-Nachlaß. Eine Recherche von Michael Golec
Active Graphics: ein Erfolgskonzept. Interview mit George Hayes von Michael Golec, Fotos von François Robert
Anton Maria Grassl: Die Türme von Chicago
Ein Strich durch die Rechnung. Die vertrackten Bilder der Inez van Lamsweerde. Text von Rainer Stephan
Eine Auswahl von Arbeiten internationaler und nationaler Preisträger. Fotografie: Hans Döring
Titelfoto und Umschlag innen: Achim Multhaupt

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HQ- High Quality, Heft 24 1/1996. Designed by Büro Rolf Müller
HQ- High Quality, Heft 24 1/1996. Designed by Büro Rolf Müller
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From the design archive:
From the design archive:
From the design archive:
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Walter Ballmer was a Swiss graphic designer born in Liestal, Switzerland in 1923. He worked across various design disciplines including advertising design, packaging, typography and exhibition design.

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"Heart: Anatomy, Function, and Diseases" (Dell, 1962), by Rudolf Hoffmann and illustrated by George Giusti, demonstrates how illustrations effectively convey complex and emotional topics whilst providing valuable information.
“They’ll never stand for that” and “It’s too modern” are, as George Plante aptly puts it, the restraintive thoughts which beset a commercial artist who tries to let himself go.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.