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Content includes:
Ausstellungen Wettbewerbe
H. H. Baumann, Rückblick auf Osaka
G. Müller-Krauspe, Hat die Schillersche Stiftung an Attraktivität verloren?
Gespräche, Interviews
Die Bundesbahn fährt ins Design
form sprach mit Bundesbahn-Design-
Direktor Emil Schuh
„DIM”. Creativ Shop für Design ?
5 Fragen an Edwin A. Schricker
Werbung Grafik-Design
B. Mussey, ,,The power of print”
P. v. Kornatzki, Eine Anzeige ist eine Anzeige, ist eine Anzeige
F. Seitz, Zum Berufsbild des Grafik-Designers
Design-Theorien – E. Geyer/B. Bürdek, Design- Management
form-Forum – Th. Hirzel, Verräter an der Sache?
Produkte – Die black box von Braun. Der Computer am Arm
Markt – Produkte, gesehen und notiert

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Linked Information

Form, Internationale Revue 51, 3, 1970. Designed by Karl Heinz Krug
Form, Internationale Revue 51, 3, 1970. Designed by Karl Heinz Krug
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Wolfgang Weingart's artistic design delved into the intricacies of Swiss typography, skillfully dissecting its elements while venturing into texture and type experimentation. His layered montages radiated dynamic kinetic energy, standing in stark contrast to the minimalist approach of his instructors, embracing a more maximalist aesthetic.

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The 1960 awards presented 420 poster entries from Swiss designers. Notable winners included Robert Büchler's typographic poster for the Museum of Applied Arts Basel and J. Müller-Brockmann’s Der Film poster for the Museum of Applied Arts and Gerstner + Kutter's asymmetric typographic poster for National-Zeitung SA Basel.
When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers

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Ezio Bonini's work for "Società del Linoleum" in Milan, showcasing advertisements designed for various Italian newspapers aimed at expanding the linoleum market