Rassegna 12, Architectire in the Avant-Garde Magazines, 1982

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Content includes:
I dispacci dell’avanguardia by Jacques Gubler
Centralita e periferia: il contributo dell’Europa Centrale by Antoine Baudin
Memorie de Bucarest by Radu Stern
Manometre: architettura sotto pressione e gravita della scrittura by Richard Quincerot
Il momento Inglese by Broan Hanson
Gli anni del Contro by Franco Raggi
La rete delle reviste
Il cotto: Evoluzione e prospettive di un materiale “antico” Habitema
Ricerca e nascita di un prodotto: iGuzzini illuminazione
Marlo: Il letto come “unita integrata” [On progetto di Afra e Tobia Scarpa, Molteni & C.]
La cerniera elemento portante: Dal particolare al generale, Ariston
Un nuovo spazio espositivo: Un progetto di Antonio Citterio, B&B Italia
Penelope: Un progetto di Charles Pollock, Castelli

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Rassegna 12, Architectire in the Avant-Garde Magazines, 1982
Rassegna 12, Architectire in the Avant-Garde Magazines, 1982
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Giovanni began his work with Olivetti in March 1938, and his work was showcased in various exhibitions and had a clear distinctive style that amplified the Olivetti brand image. His design defined the company’s visual image, and the iconic geometric designs are still as powerful and engaging today as they were in the 1950s.

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He designed stamps from around 1955 and in the book Karl Oskar Blase, Briefmarken-Design, Verlag für Philatelistische Literatur, 1981, he was described as one of the most influential stamp designers in Germany.

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I have a real passion for collecting Cinderella stamps and other ephemera and love the artistic and historical value of these items. The scarcity of some Cinderella stamps, especially those associated with significant historical events or rare advertising campaigns, makes them highly sought after in the philatelic world.
The covers of the periodical ALMANAQUE, which was published in Lisbon, are perfect examples of this pleasure in the unusual and the force of with which all sorts of foreign influences are assimilated.