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Selected contents: Busso Mal-chow; Ray Bret-Koch; George G. Kobbe; Hein Gorny; Koo Bickenbach
Selected artists: Koo Bickenbach, Ray Bret-Koch, Carolyn Edmundson, Hein Gor-ny, George G. Kobbe, Ruth Krüger-Pauly, Busso Malchow, Heinz Reichenfelser, Lotte Siebert-Wernekink, Dorothea Suffrian, Valenti Zietara

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Gebrauchsgraphik, 10, 1933. Cover design by Edward McKnight Kauffer
Gebrauchsgraphik, 10, 1933. Cover design by Edward McKnight Kauffer
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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A collection of letterpresses German brochures from 1959/1960 designed by Hans Geipel for Süddeutsche Rundfunk (SDR), the South German Radio Network based in Stuttgart.

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The typographic supplement from Der Druckspiegel, October, 1961 features typographic compositions designed by Herbert Bossin. Bossin has solely used the typeface Folio, to illustrate its flexibility and versatility alongside imagery provided by Lothar Blanvalet Verlag.
An advertising programme is fully integrated only when its effect is powerful enough to play a major part in determining a corporate image. Geigy advertising is an example of this successful integration.

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Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.