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Would Cup Special
Symbol Mark Design – Kazumasa Nagai
In memory of Shiro Ota

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Typographics “TEE” No.223 (February 2002). Cover design by Takahiro Fujino
Typographics “TEE” No.223 (February 2002). Cover design by Takahiro Fujino
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
The covers of the periodical ALMANAQUE, which was published in Lisbon, are perfect examples of this pleasure in the unusual and the force of with which all sorts of foreign influences are assimilated.
Elizabeth Resnick is a Professor Emerita, former chairperson of the Graphic Design Department, and current part-time faculty at Massachusetts College of Art and Design, Boston, Massachusetts, since 1977. She ran her own independent Boston design studio from 1973 to 1996, working with many high-profile clients and is a passionate design curator who has organized seven comprehensive design exhibitions. I interviewed Elizabeth about her journey in the field, her early influences and some of the many items in her collection.
The stories of Norwich’s medieval merchants’ marks is being told in a new book and exhibition.
The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.