Join the Mailing List

Membership

Collected Graphic Design History from Design Reviewed

Der Druckspiegel, 11, November 1961

Information

Content includes:
The future of newspapers
1. ERICH WAGNER The future of news
2. BEREND H. FEDDERSEN The future reading public
3. The future of advertisements
4. TH. H. OLTHETEN The future of technology – Roads in Utopia?
The insetter control makes progress
ERICH WAGNER Valmy is also near Middletown
‘Asahi’ – pacemaker of technology
KURT WEIDEMANN Face-lift for a newspaper
HANS-JOACHIM KEMPE History of German newspaper advertisements
FRITZ FABER Newspaper color advertising on the march
WALTHER MEYER – STOLL Hi-Fi advertisements in newspaper practice
KLAUS F. SCHMIDT, NEW YORK Colour newspapers in the USA
H. HILDEBRAND Newspapers composing rooms and their role in the flow of work
FRIEDRICH STEPHAN Ludlow in the newspaper composing room
WERNER WOLF Efficient operation with display composition machines in newspaper and magazine offices
ROLAND VON ANGERER HYDROPLATE – a fully automatic round stereo casting plant
FRED FARRIER
The RCA Electrofax plate for daily newspapers
HEINZ BRANDHORST Economical production on modern news rotaries
Klaus F. SCHMIDT, NEW YORK Electronic register control on rotary presses
GOTTFRIED DYRSSEN Reel paper handling and transport in the printing plant
Practical hint
Secure fountain splitting
THE SPECIAL SUPPLEMENTS
BIERING-NUMBERGER Greeting cards
Design exercise 4 / 61
The Best German Books 1960

Details

  • Format: Magazine
  • Year: 1961
  • Client/Publisher: Der Druckspiegel Verlag
  • Size: 173mm x 242mm

Linked Information

Der Druckspiegel, 11, November 1961
Der Druckspiegel, 11, November 1961
More graphic design artefacts
Typographische Mitteilungen, 18 Jahrgang, Heft 12, Dezember 1921
From the design archive:

Typographische Mitteilungen, 18 Jahrgang, Heft 12, Dezember 1921

  • Format: Magazine
  • Year: 1921
View Artefact
Typografia, ročník 76, 01, 1973. Cover design by Miloslav Fulín
From the design archive:

Typografia, ročník 76, 01, 1973

  • Format: Magazine
  • Designer/s: Miloslav Fulín
  • Year: 1973
View Artefact
Eye, Issue 012, Spring 1994
From the design archive:

Eye, Issue 012, Spring 1994

  • Format: Magazine
  • Year: 1994
View Artefact
Typographica, New Series 12, 1965. Designed by Herbert Spencer
From the design archive:

Typographica, New Series 12, 1965

  • Format: Magazine
  • Designer/s: Herbert Spencer
  • Year: 1965
View Artefact

view more of the graphic design archive

More graphic design history articles

Members Content

Ballet 71, Staatsheater Kassel, 1971. Designed by Karl Oskar Blase
  • Design Archive Feature, Members Only Content

The Poster Designs of Karl Oskar Blase

Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978. 
Read Article
Radio Free Berlin, Concert poster designed by Hans Förtsch and Sigrid von Baumgarten C
  • Design Archive Feature

The Publicity of Radio Free Berlin, Text by Franz-Hermann Wills, 1966

The transformation of Radio Free Berlin's publicity from dark and provincial to striking and imaginative. Cultural announcements and radio programs designed by Hans Förtsch, Sigrid von Baumgarten, and Reinhart Braun
Read Article

Members Content

Showcard for Harris Co., Ltd. Designed by Hiroshi Ohchi Scanned from Idea 11, 1955
  • Design Archive Feature, Members Only Content

Advertising that Sticks. Examples of 1950s Chewing Gum Advertising

Advances in production and 1950s chewing gum marketing. From Wrigley's iconic "Spearman" ads to Hiroshi Ohchi's designs for Harris Chewing Gum.
Read Article

Members Content

Design, Council of Industrial Design, 116, August 1958. Cover design by Ken Garland copy
  • Design Archive Feature, Members Only Content

Ken Garland and the British magazine, Design

Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.
Read Article