Information

Content includes:
Grafik-Design Werbung:
R. Stigulinszky, Vermutungen über die Werbung der 70er Jahre
Verbände:
J. Grimm, BDW-Kongreß Berlin ,,An den gesunden Menschenverstand”: Aktion Zeitschriftenanzeige
Wir sind Entwerfer und Planer – für wen? BDG – Seminar Kell
„,Kling’I dich frei”, Projektgruppe Plakatanalyse: Freiheit, die die meinen
Design-Wettbewerbe:
„Macht uns das Büro kaputt?” Olivetti-Wettbewerb
Schutz vor dem Umweltschutz-Signet-Wirrwarr: Bonn suchte ein Zeichen
Produkt-Design:
Bunte Maschinen, Flipper, Spiel-automaten und Spielobjekte B. H. D. Buchloh, Bemerkungen zum Trivial-Design
Musikautomat ,,M 2000″: ohne Filter? Ditterts Musikautomaten-Design aus zweierlei Sicht
Eine Schularbeit: Spielautomat
Techniken Hilfsmittel für die Praxis:
Unterhaltungs- und Spielobjekte: A. Ade, Animationsfilm,Anti-Baby-Pille”
St. Beckmann, Ein foto-optisches Gerät für die Formenfindung?
form-Forum
G. Braun, Aussagen zur Ausbildung
G. Krause, In Bayern lehren
Markt
Produkte, gesehen und notiert

Details

Linked Information

Form, Internationale Revue 58, 2, 1972
Form, Internationale Revue 58, 2, 1972
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Jazz Journal was first published in 1946 by Sinclair Traill, who also had some of his photographs used on the covers. The magazine is now online but remained in print for several decades, as Britain's longest enduring jazz magazine.

Members Content

Before setting up Ken Garland & Associates in Camden, London, Ken was art editor of Design magazine in 1956. The magazine was published by the Council of Industrial Design, which was set up in 1944 with the prime focus of supporting Britains economic recovery.
From time to time members of the Graphic Design History group and others have asked for a number of recommendations for books related to design history, theory and specific areas of graphic design. This is the first of a series of articles from educators, designers and archivists featuring book recommendations and resources.
My lectures and workshops also help bridge the gap between academia and industry. Through my lectures and collecting, I strive to promote design as a ever-changing dynamic industry that has the power to shape and improve the world we live in.