Form, Internationale Revue 57, 1, 1972

Information

Content includes:
Grafik-Design Werbung:
Kunst & Werbung
J. Grimm, Werbung in der Kunst, Kunst in der Werbung J. Grimm, Drei Sonntagsmaler werben (Sprengel-Kampagne)
Typrografie: K. Winterhager, Schrifttypen beim Wort genommen
Produkt-Kritik:
Studenten de FH Wuppertal, Aus zweierlei Sicht Fernsehgerät WEGA color 3020
Produkt-Design:
Für Auge und Ohr Katalog TV-Geräte
Möbel: Das Gewohnte ist das Geliebte., Internationale Möbelmesse Köln
form-Forum:
W. Rhode, Nicht mit Weihwasser besprengen…
Keine Computer für Stuttgarter Designer
form-Interview:
G. Gerken (OTW), ,,Morgen müssen wir anders gestalten”- Die steigende
Aversion gegen die Werbung”*
R. Schmidt (BDG), Ein BDG im DGB?
Schulen, Ausbildung:
E. Knepper, Das endgültige Ende der Ulmer Schule
Markt:
Produkte, gesehen und notiert

Details

Linked Information

Form, Internationale Revue 57, 1, 1972
Form, Internationale Revue 57, 1, 1972
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Ezio Bonini's work for "Società del Linoleum" in Milan, showcasing advertisements designed for various Italian newspapers aimed at expanding the linoleum market
Founded in 2015, Triest Verlag für Architektur, Design und Typografie have published notable works on graphic design history, including biographies of Othmar Motter, studies on Eugen Gomringer’s typography and poetry, Ernst Keller’s teachings. Thier latest book The Birth of a Style, focuses on the influence of the Basel Educational Model on the evolution of Swiss graphic design into the renowned international style.
Mark Bloom has designs for globally recognised brands, produces some of the finest, most accessible modern typefaces and heads up Mash Creative and CoType Foundry. His type foundry has always been a port of call for our studio's brand projects and he continues to develop these, each with a fantastic print specimen.

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One of my standout collected pieces is Erberto Carboni’s Crociere 1937 “Italia” Brochure, created for the Societa di Navigazione’s 1937 cruise schedule.