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Content includes:
Framing the evidence of war by Rick Poynor
The artful charm of the public notice – Monitor, Rob Giampietro
Features:
Better than the real thing? by Steven Heller
Character studies by John L. Walters
One week in pictures by Rick Poynor
Flight of the imagination by Frederico Duarte
Reputations: Kathy Ryan by Liz Danzico
The view from here by Keith Miller
Art and art direction – Kuchar Swara by John L. Walters
Art and art direction – Jens Gehlhaar by Deborah Littlejohn
Art and art direction – Thomas Lenthal by Véronique Vienne
Art and art direction – Daniel Eatock by John L. Walters
Not all black and white by Sean O’Toole
Do they know it’s communication? by Bob Wilkinson
Reviews:
The Transformer: Principles of Making Isotype Charts
Graphic Design Theory: Readings from the Field
The Floating World: Ukiyo-e
Pioneers of Spanish Graphic Design
Seymour: The Obsessive Images of Seymour Chwast
Bauhaus: A Conceptual Model
Eighty Years of Book Cover Design
A Book about Innocent: Our Story and Some Things We’ve Learned
Penguin by Illustrators
Women of Design
elles@centrepompidou
Les Rencontres d’Arles 2009
Bibliographic
Notations 21
Less and More: The Design Ethos of Dieter Rams

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Linked Information

Eye, Issue 073, Autumh 2009
Eye, Issue 073, Autumh 2009
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

I have a real passion for collecting Cinderella stamps and other ephemera and love the artistic and historical value of these items. The scarcity of some Cinderella stamps, especially those associated with significant historical events or rare advertising campaigns, makes them highly sought after in the philatelic world.

Members Content

The Best Swiss Posters Award was an annual competition, judged by a Swiss Jury. They selected a range of posters, showcasing a range of poster styles from completely typographic designs such as the work of Robert Büchler, to the illustrated posters of Donald Brun.
IBM puts a premium on functional design, forms and colours which make it far easier for the potential customer to gain an insight. In this respect the IBM methods are exemplary. The IBM already opened studios of artistic and graphic design for its German and Italian offices and a few years ago another such studio was established in Paris. Frank René Testemale was entrusted with its organisation and was appointed its business and art director.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.