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Content includes:
Book Arts Reporter: The Oxford Conference,
On Type: Robert Bridges, Poet-Typographer
Recent Press Books
The Featured Bookbindings: The Fourteen Faces of Ourika
Reference Shelf
The Book Art of Valenti Angelo: An Homage,
The First Printing Press in America

Cover design by Abe Lerner, New York. Interior typography based on a design by Linnea Gentry, Amaranth Press, Santa Fe, New Mexico. Composed in Jan van Krimpen’s Monotype Spectrum by Mackenzie-Harris Corp., San Francisco. Engravings by Bill Bratt, Bauer Engraving Co., San Francisco. Letterpress by Wesley B. Tanner & Will H. Powers, Berkeley, California. Offset lithography by Helicon Press, San Francisco.

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Fine Print, Vol 9, No 1, 1983
Fine Print, Vol 9, No 1, 1983. Cover design by Abe Lerner
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Why Graphic Culture Matters is a compilation of 46 thought-provoking essays by renowned design critic Rick Poynor, delving into the realms of art, design, and visual communication.

Members Content

The identity manual consisted of 130 pages of information and brand usage with Arie J. Geurts heading up the project as design director, (who later headed up his own design studio in Los Angeles). The identity uses minimal colour and focuses on a consistent brand blue in all communications.

Members Content

The advertising agency played a crucial role in shaping consumer culture by acting as a bridge between businesses and the media and was stated to have started in the mid-19th century.
The transformation of Radio Free Berlin's publicity from dark and provincial to striking and imaginative. Cultural announcements and radio programs designed by Hans Förtsch, Sigrid von Baumgarten, and Reinhart Braun