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Content Includes:
Building The World of To-Morrow: The New York World’s Fair by Walter Dorwin Teague
Ourselves As Others See Us
Selling The Savoy Hotel
Campaigning Camera-No. 2 by Walter Nurnberg
The House Built On a House Journal by E. Symes Bond
Popularising The Publicity Photograph In Italy
Design Dossier: Otto
Campaigns Commentary
Making The Poster Pull Its Weight: Frank Pick Sets Standards for the Designer
Around And About
In Colour: Poster By Joseph Binder For The New York World’s Fair

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Art and Industry 154, January 1939. Cover design by Jean Picart Le Doux
Art and Industry 154, January 1939. Cover design by Jean Picart Le Doux
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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The best poster designs from Die besten Plakate des Jahres 1956 with a translated foreword by Jakob Rudolf Welti. Featuring the work of Herbert Leupin, Carl B. Graf, Carlo Vivarelli and Emil Ruder.
I have known Rob for over a decade and I have been a huge admirer of his work. He specialises in reverse gilded glass sign making, typographic murals and traditional sign-writing.
Triest Verlag für Architektur, Design und Typografie are a Swiss independent publisher producing specialist design books in the realms of typography, graphic design and architecture. Their books provide valuable insights and the print production is of exceptional quality. I interviewed the founders, to find out more about their books.
An advertising programme is fully integrated only when its effect is powerful enough to play a major part in determining a corporate image. Geigy advertising is an example of this successful integration.