Anton Stankowski. Das Gesamtwerk 1925-1982, Gerd Hatje, Stuttgart, 1983

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Contributions by Max Bense, Karl Duschek, Eugen Gomringer, Hans Heinz Holz, Kurt Leonhard, Hans Hildebrandt, Hans Neuburg, Eckhard Neumann, Guido Magnaguagno, Fritz Seitz, Gunther Thiem, Stephan von Wiese and Günther Wirth.

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Anton Stankowski. Das Gesamtwerk 1925-1982, Gerd Hatje, Stuttgart, 1983
Anton Stankowski. Das Gesamtwerk 1925-1982, Gerd Hatje, Stuttgart, 1983

 

Anton Stankowski. Das Gesamtwerk 1925-1982, Gerd Hatje, Stuttgart, 1983
Anton Stankowski. Das Gesamtwerk 1925-1982, Gerd Hatje, Stuttgart, 1983

 

Anton Stankowski. Das Gesamtwerk 1925-1982, Gerd Hatje, Stuttgart, 1983
Anton Stankowski. Das Gesamtwerk 1925-1982, Gerd Hatje, Stuttgart, 1983

 

Anton Stankowski. Das Gesamtwerk 1925-1982, Gerd Hatje, Stuttgart, 1983
Anton Stankowski. Das Gesamtwerk 1925-1982, Gerd Hatje, Stuttgart, 1983
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The graphic designer had to create a series of ads whose new publicity effects were to confirm or accentuate the already existing • image • of the paper. In this case, the planning was not based on a would-be psychological analysis of the reading public.

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Little is known about the talented designer Günther Glückert. Born during the 1930s, a period that proved less than conducive to nurturing youthful artistic endeavours, did not halt Glückert's path of becoming a talented designer.
Last month (March 2022), I spoke to over fifty Graphic Design undergraduates about the archive and my passion for design history, after which the students had full access to items in the collection and participated in discourse amongst their peers and lecturers. As part of their critical studies unit, the students will be producing essays and content related to the impact, history and aesthetics of selected artefacts.
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