Graphische Revue, 18 Jaargang, Augustus 1933

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Monthly magazine for graphic companies
Publication of the association of typographical study societies

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Graphische Revue, 18 Jaargang, Augustus 1933
Graphische Revue, 18 Jaargang, Augustus 1933
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Among the young graphic artists of Berlin, who set to work after the war, Hans Adolf Albitz and Ruth Albitz-Geiß can claim special attention. In a short time, at a period when economic conditions were pretty unfavourable, they worked themselves so to the fore that their names came to mean something in Berlin publicity, and in western Germany their posters are known and appreciated, too.

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Rastorfer transformed the advertising of Volkswagen and his work contrasted with that of the previously commissioned designers. It reiterates the importance of finding a designer who can transform your vision and adverting and how the significance of consistent messaging across advertisements, contributes to the creation of a memorable campaign 
"Talking about myself as a designer is something that requires a powerful dialogue with my life experiences. In a radical way, I apply an exercise in which design forms become projections of life, extensions of meaning that constantly involve senses."

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Magalhães developed over 180 brands and in addition to developing visual identities, he also developed designs for Brazilian notes and coins.