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Content includes:
Neues in Kürze, neue Maschinen und Geräte
Paul Ruckstuhl, Lausanne : Le planning
La révolution du livre broché dans les pays anglo-saxons
Graphibref Satz, la composition
Max Caflisch, Bern: Nordische Fachliteratur
Die schönsten Schweizer Bücher 1960, Les plus beaux livres suisses
Die Seite der Sprache
Zum 60. Geburtstag von Dr. Ing. Rudolf Hell
E. H.: Zum Problem des Auffrischens der Lesemarken für Linotype- und Intertype-Matrizen
Willi Mengel, Frankfurt am Main: Satzherstellung heute und morgen
Erwin Meier, Luzern: Barent-Setzereieinrichtungen
Paul Kappeler : Les calendriers publicitaires
La défense du français
Druck, l’impression
E. Schwarzenbach, Bern: Tatsächlich, die ‹ Condor › bewährt sich
Richard Burkhardt, Stuttgart: Der Hochdruck hat noch Chancen
TM-Erfahrungsaustausch Aufschweißen von Klischees mit Bonding-Film Aus dem Gebiet der Klischeemontage
Ernst Christen, Basel: Die Schweizerische Fachlehrervereinigung im graphischen Gewerbe besucht die älteste Druckmaschinenfabrik Koenig & Bauer AG in Würzburg
Transformation des particularités du papier et des encres lors de changements des conditions atmosphériques (suite)
Ausbildung, l’éducation
E. Enderli, Lausanne : Propos en marge de la révision du Code de l’apprentissage

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Typografische Monatsblätter, 12, 1961. Cover design by Emil Ruder
Typografische Monatsblätter, 12, 1961. Cover design by Emil Ruder
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Ken was born in 1929, in Southampton and grew up in a small market town in North Devon. He was a principled man, with strong values and views against the hyper-consumerism we live with today. Ken studied at the London Central School of Arts and Crafts in the 1950s and was taught by Herbert Spencer, Anthony Froshaug and Jesse Collins. Whilst at the School he studied alongside designers Ken Briggs, Alan Fletcher and Colin Forbes.
Graphic design continues to be documented and an increase in individualised documentation and curated social media accounts are furthering our knowledge of design from a worldwide historic standpoint. I would not feel complete without the collected design that spans the shelves of my archive. It’s my identity, my passion and my hobby.
This book shows, for the first time, all of Hans Hillmann’s film posters. Unpublished sketches and drafts from his estate along with commentary from conversations and interviews provide an insight into the creative process of the award-winning designer.
Parallel Public is a new publication by Sara Blaylock, published by MIT Press. The book documents the East German artists pioneering work that made their country’s experimental art scene a form of (counter) public life.