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Content includes:
Special Feature: DRAFT TODAY
Interview with Satoru Miyata Interviewer: Yoshiaki Nishimura
Margins of Design vol. 3 Eisuke Tachikawa
Interview & Design by Yuma Harada, Text by Tomomi Tada, Photo by Yoshiro Masuda
Emil Ruder: Fundamentals Vo.l. 3 The Word
Design by Helmut Schmid
Zak Kyes Working With…
The Approach of Zak Kyes – Text by Toshiaki Koga
Special Feature: DRAFT TODAY
DRAFT WORKS

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Idea 353, 2012-7
Idea 353, 2012-7
More graphic design artefacts
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From the design archive:
From the design archive:
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In my previous article about the design work produced for Insituto di Tella, I touched upon the artists Juan Carlos Distéfano, Ruben Fontana and Juan Andralis. After further research, I found a suite of other designs they had produced, including exhibition posters, concert programmes and record sleeves.
“They’ll never stand for that” and “It’s too modern” are, as George Plante aptly puts it, the restraintive thoughts which beset a commercial artist who tries to let himself go.
The covers of the periodical ALMANAQUE, which was published in Lisbon, are perfect examples of this pleasure in the unusual and the force of with which all sorts of foreign influences are assimilated.
When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers