Design (Japan), 019, 1961

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Special feature: Design education
Trends in professional design education in Japan / Masato Takahashi
Art Center School
・Basic course and graphic design / Shigeo Hattori
・Industrial design / Kenji Ekuan
Illinois Institute of Technology Department of Design / Atsushi Chiku
Cranbrook Academy of Art / Tsuneko Yokota
Pratt Institute / Shogoro Terashima
Syracuse University / Yoshiyuki Uchimura
London Central School / Eiko Emori
Design education in Italy / Fusako Shibata
Ulm School of Design / Shutaro Mukai
Copenhagen School of Arts and Crafts / Nobuo Nagashima
Royal Danish Academy of Fine Arts / Shin Shimazaki
Helsinki National Academy of Art / Kenji Fujimori
Swedish National Polytechnic University / Hiromasa Fujikawa
Guide to Study Abroad
Designer’s Eyes: Monuments in Mexico / Hiroshi Hara
IAI Design Exhibition / Shigesuke Yoshitake
Printed Wiring: “Nothing but Design” / Ryuichi Yamashiro
Design Plaza
・Thoughts on the JNR Shinkansen / Hidehiro Iizuka
・Make a Meaningful Sample Book / Takeji Matsubayashi
Designer’s Window: The Story of Wood ④ Wood Products and Materials ② / Akira Shinjo

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Design (Japan), 019, 1961
Design (Japan), 019, 1961. Cover design by Kenji Ito
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Kiyoshi Awazu (粟津) was a renowned Japanese graphic designer, known for his contributions across various creative fields including poster design, architecture, set design, filmmaking, and illustration. His unique style was commissioned by theatre groups, design and architecture magazines and various organisations for the covers of book covers and posters.

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Beyond being mere artefacts of design, these examples encapsulate the dynamic changes Japan was undergoing during this period. The design output of this era not only served commercial purposes but also became a powerful medium for expressing these societal shifts.
A short free-to-access feature on Swiss Design. The movement was influenced by Bauhaus and De Stijl, sought clarity and visual unity, making it a powerful force in global graphic design that remains influential today.

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I have a real passion for collecting Cinderella stamps and other ephemera and love the artistic and historical value of these items. The scarcity of some Cinderella stamps, especially those associated with significant historical events or rare advertising campaigns, makes them highly sought after in the philatelic world.