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Jonge Engelse Beeldhouwers, Stedelijk Museum, Amsterdam, 1967 designed by Wim Crouwel and Josje Pollmann
Jonge Engelse Beeldhouwers, Stedelijk Museum, Amsterdam, 1967 designed by Wim Crouwel and Josje Pollmann
Jonge Engelse Beeldhouwers, Stedelijk Museum, Amsterdam, 1967 designed by Wim Crouwel and Josje Pollmann
Jonge Engelse Beeldhouwers, Stedelijk Museum, Amsterdam, 1967 designed by Wim Crouwel and Josje Pollmann
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The Paris Poster Hoardings of 1938. Posters gleam forth accentuating the melody of this city as they direct the eye to articles of everyday use and above all to people who are the talk of the hour.

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The collection of works I've gathered, designed for Olympia-Werke, showcases the height of mid-century German commercial artistry. The work was collated in a branded folder and contained forty brochures, advertisements and manuals.

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Bäumer gave the company a unique brand image amplifying its graphical image after a time of post-war economic recovery. This style of advertising composition can be seen across many 1960s campaigns, especially from other German designers such as Anton Stankowski.
Both educators have a keen interest in multiscriptual design, Arabic type design, and graphic design and recently released A History of Arab Graphic Design. I contacted Bahia and Haythem to find out more.