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Mark Brusse, Stedelijk Museum, Amsterdam, 1968
Mark Brusse, Stedelijk Museum, Amsterdam, 1968
Mark Brusse, Stedelijk Museum, Amsterdam, 1968
Mark Brusse, Stedelijk Museum, Amsterdam, 1968
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From the design archive:
From the design archive:
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Japan's first foreign film venue, Shochikuza Theatre (1923) is an icon of Modernism. Its Art Deco-influenced advertising, showcased in the 1925 Shochikuza News magazine, offers a glimpse into Japans influences from the West.

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One of my standout collected pieces is Erberto Carboni’s Crociere 1937 “Italia” Brochure, created for the Societa di Navigazione’s 1937 cruise schedule.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.
The most comprehensive account of ghost signs ever published, focusing on London’s hand-painted relics of advertising past