Emil Ruder apprenticed as a compositor in Zurich from 1929 to 1933 and later studied in Paris in 1938. He attended the School of Arts and Crafts in Zurich from 1941 to 1942, focusing on lettering and book design under Walter Kaech. From 1942, Ruder has taught typography at the School of Arts and Crafts in Basel, becoming head of the arts and crafts section in 1947. He has received numerous awards for his work, including prizes for the best books of the year and best posters of the year.
Architektur-theoretiker, Basel School of Arts and Crafts, Nr.4, 1967. Designed by Emil Ruder
Emil Ruder apprenticed as a compositor in Zurich from 1929 to 1933 and later studied in Paris in 1938. He attended the School of Arts and Crafts in Zurich from 1941 to 1942, focusing on lettering and book design under Walter Kaech. From 1942, Ruder has taught typography at the School of Arts and Crafts in Basel, becoming head of the arts and crafts section in 1947. He has received numerous awards for his work, including prizes for the best books of the year and best posters of the year.
The collection of works I've gathered, designed for Olympia-Werke, showcases the height of mid-century German commercial artistry. The work was collated in a branded folder and contained forty brochures, advertisements and manuals.
Olle Eksell is well known for his advertising illustration, book jackets and playful packaging design. He first studied engineering and later decided to become a graphic artist. He began his career as a window decorator in 1935, and studied under Hugo Steiner between 1939 and 1941.
A selection of poster designs from Die besten Plakate des Jahres 1958 with a translated foreword by Maria Netter. Featuring the work of Müller-Brockmann, Celestino Piatti, Donald Brun and Armin Hofmann.
Yoshio Hayakawa is one of Japan’s most influential post-war poster designers. His work represents a fusion of traditional Japanese art and European modernism often using soft, poetic brushstrokes and refined colour palettes and capturing the elegance of Japanese aesthetics while integrating the clean lines and bold visual language of Western design.
