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Content includes:
The Snow Will Give You Beautiful Colors
Mural painting decorating the civil tomb of Nakht. The Harvest.
Carl Erickson: An “Old France” American Gentleman
Appreciated Gifts, Cigars and Cigarettes from the Régie Française
For Christmas and New Year’s Gifts: Give your Children “Little Ones and Big Ones”
Erickson’s drawing of a dress by Paquin for “Vogue”
The Weaving of Warp Tapestry
The “Matura” Series Created for Use on Lanston Monotype Machines
Plate from “Little Ones and Big Ones” [two chimpanzees]
Carnival Paintings
Arthur Rimbaud and Roger de la Fresnaye
Édouard Vuillard from Three Letters and Two Portraits
Ink drawing by Dunoyer de Segonzac to illustrate “Tales of Day and Night”
Johann Grüninger: Printer and Publisher at Strasbourg
Frontispiece of “Virgil” by Johan Grüninger (1502)
Plate from “Submersion” album of 49 unpublished pen drawings by Toulouse-Lautrec
Bookshop Posters
“Sayings of a Candy-Maker”
Cover by Jacquelin for “Radio-Phono”
Advertising card for Otto Kösler from Stuttgart
Labels published by Fletcher et Ellis, Inc.
Delacroix and Persian Art
Photography 39
Typography at the Museum of Man
Birth of the Society of Men of Letters: 1858
The Dangers of the Printery
Booksellers and Second-hand Booksellers in Ancient Rome
Toulouse-Lautrec: “Submersion”
Vaugirard Printery Is the Typographic Press of Arts et Métiers Graphiques
The Eternal Actuality of Plastic Art

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Arts et Metiers Graphiques, 65, 1938
Arts et Metiers Graphiques, 65, 1938
Arts et Métiers Graphiques, (AMG), was a prominent French graphic arts magazine that published 68 issues from 1927 to 1939.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Before setting up Ken Garland & Associates in Camden, London, Ken was art editor of Design magazine in 1956. The magazine was published by the Council of Industrial Design, which was set up in 1944 with the prime focus of supporting Britains economic recovery.
Last month (March 2022), I spoke to over fifty Graphic Design undergraduates about the archive and my passion for design history, after which the students had full access to items in the collection and participated in discourse amongst their peers and lecturers. As part of their critical studies unit, the students will be producing essays and content related to the impact, history and aesthetics of selected artefacts.
Both educators have a keen interest in multiscriptual design, Arabic type design, and graphic design and recently released A History of Arab Graphic Design. I contacted Bahia and Haythem to find out more.

Members Content

The designer is unstated on these postcards, which were designed during the mid to late 1970s, but these playful illustrations alongside what looks to be Frankfurter Bold definitely fit the criteria of friendliness and efficiency