Best Dutch Book Designs 2017, CPNB, 2017

Information

by Rob van Hoesel (Author)
‘This years submissions for The Best Dutch Book Designs were of a high standard. The jurys selections reflect some clear trends, such as intensive crowdfunding, designers who have also taken on publishing, and the shift away from reading to a culture based on images. Designed by Studio Rob van Hoesel, this detailed review of the 33 finalists offers a special tribute to the printed form, with subjects ranging from salamanders and urban and spatial analyses, to artists books and a fairy tale-like adventure. Among them are books by Marjan Teeuwen, Anne Geene & Arjan de Nooy, Henk Wildschut, Gorilla Collective, Natasha Ginwala, Willem van Zoetendaal, and more.’

Details

Linked Information

Best Dutch Book Designs 2017, CPNB, 2017
Best Dutch Book Designs 2017, CPNB, 2017
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Among the young graphic artists of Berlin, who set to work after the war, Hans Adolf Albitz and Ruth Albitz-Geiß can claim special attention. In a short time, at a period when economic conditions were pretty unfavourable, they worked themselves so to the fore that their names came to mean something in Berlin publicity, and in western Germany their posters are known and appreciated, too.
The book "Modern Man In The Making" (1939), is a fantastic example of Neurath's work. The book uses Isotype's principles with text to illustrate complex societal issues like globalisation and war's impact on economies, prioritising visual recognition through symbols to aid in memorability—a philosophy that remains paramount in design today.

Members Content

In the late 1950s, Hans W. Brose agency, with designers Pierre Mendell, Michael Engelmann, and Klaus Oberer, crafted a compelling, colourless campaign for Bols.

Members Content

Beyond being mere artefacts of design, these examples encapsulate the dynamic changes Japan was undergoing during this period. The design output of this era not only served commercial purposes but also became a powerful medium for expressing these societal shifts.