Blah Blah Blah, #1, April 1996

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Blah Blah Blah, #1, April 1996. Designed by Chris Ashworth, Neil Fletcher and Amanda Sissons (Substance)
Blah Blah Blah, #1, April 1996. Designed by Chris Ashworth, Neil Fletcher and Amanda Sissons (Substance)
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From the design archive:
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Japanese modern design was heavily influenced by European art movements, particularly modernism and the Bauhaus school. As Japan's advertising industry expanded, it increasingly drew from Western culture, especially television and film, resulting in designs that were eclectic, vibrant, and infused with modernist energy.

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Gebrauchsgraphik 06, 1956 features a selection of the posters entered into the 1956 awards. It is unknown how many entries were submitted to the 1956 awards but a total of 21 posters were awarded.
In minor printed matter we constantly meet the new typography, but it is relatively rare to find posters designed on the new lines. And yet poster-designing is a field where new typographical methods might be employed with great effect.
I came across two sample books containing printed examples of the work executed by the students in the Composing and Machine Departments of the Polytechnic School of Printing, between 1907 and 1910. I couldn't resist adding these to the archive.