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Contents include:THE ROYAL ACADEMY AND
COMMERCIAL ART by A. A. Braun
POSTERS IN RUSSIAN LIFE by H. C. Stevens
ARTISTS WHO HELP THE ADVERTISER No. 25. THE ZINKEISEN SISTERS
OPTICAL ILLUSION IN RELATION TO POSTER ART
CLOTHING THE ADVERTISEMENT IN FRESH TECHNIQUES by Harold B. Pereira
FREDERIC W. GOUDY by R. P. Gossop
A DRAPER WHO MAKES POSTERS WORTH WHILE
BOOKLET REVIEWS
BITS FROM EVERYWHERE. Etc.

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Commercial Art Vol 4, No 10, August 1925. Cover design by Anna Zinkeisen
Commercial Art Vol 4, No 10, August 1925. Cover design by Anna Zinkeisen
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Both educators have a keen interest in multiscriptual design, Arabic type design, and graphic design and recently released A History of Arab Graphic Design. I contacted Bahia and Haythem to find out more.
An article by Jan Tschichold illustrated with examples of publicity produced by Brann of Zürich.
When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers
Gabriel sent me a link to his amazing Uruguayan Graphic Design Archive when I launched Design Reviewed. The content was so amazing, I ended up spending a good hour looking through the content and it has definitely made it to my bookmarks.