F. H. K. Henrion studied in Paris, as a textile designer, then exhibition, stage and graphic design. He early clients included Levant Fair, 1936, Paris International Fair, 1937, Glasgow Empire Exhibition, 1938 and New York World Fair, 1939. During the war he was the consultant to the exhibitions division of the Ministry of Information and to the American Office of War Information in London. He was also the art editor of Contact, Future, BoAC publications, The Bowater Papers and The Compleat Imbiber. His later clients included the Festival of Britain, 1951, Olivetti, the British Transport Commission and KLM.
Design, Council of Industrial Design, 148, April 1961. Cover design by Frederick Henri Kay Henrion
F. H. K. Henrion studied in Paris, as a textile designer, then exhibition, stage and graphic design. He early clients included Levant Fair, 1936, Paris International Fair, 1937, Glasgow Empire Exhibition, 1938 and New York World Fair, 1939. During the war he was the consultant to the exhibitions division of the Ministry of Information and to the American Office of War Information in London. He was also the art editor of Contact, Future, BoAC publications, The Bowater Papers and The Compleat Imbiber. His later clients included the Festival of Britain, 1951, Olivetti, the British Transport Commission and KLM.
This book shows, for the first time, all of Hans Hillmann’s film posters. Unpublished sketches and drafts from his estate along with commentary from conversations and interviews provide an insight into the creative process of the award-winning designer.
Mark Bloom has designs for globally recognised brands, produces some of the finest, most accessible modern typefaces and heads up Mash Creative and CoType Foundry. His type foundry has always been a port of call for our studio's brand projects and he continues to develop these, each with a fantastic print specimen.
Both educators have a keen interest in multiscriptual design, Arabic type design, and graphic design and recently released A History of Arab Graphic Design. I contacted Bahia and Haythem to find out more.
This 1,500 word essay is about the life and work of Willem Sandberg and is illustrated with part of my collection of over 100 pieces of Sandberg’s work, including books, Stedelijk Museum catalogues, and various individual printed items.
