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Collected Graphic Design History from Design Reviewed

Design (Japan), 66, 1964

Information

Content includes:
Akio Kanda’s modeling / Makoto Wada
Considerations surrounding design: Designer as an intellectual / Azusa Hasishi
Displays at the Swiss Exposition / Yusaku Kamekura
From the Lausanne Swiss Expo: Display as spatial direction / Arata Isozaki
Designer three-sided mirror Distant Things / Kenji Fujimori
What is it? From the works of Nikakai Commercial Art Club / Akiko Hinata
Tour of design schools around the world ⑫ Parsons School of Design, New York / Masaaki Tanaka
Surroundings of 600-inch phone design
・How the 600-inch telephone was designed / Akira Takayanagi
・Around telephone design/Riki Watanabe
This design⑩ Nikon SP poster / Ryuichi Yamashiro
design digest
radar
・Why are Olympic admission tickets unpopular?
・Match for athletes village

Details

  • Format: Magazine
  • Designer/s: Kohei Sugiura
  • Year: 1964
  • Client/Publisher: Bijutsu Shuppansha
  • Size: 210mm x 297mm

Linked Information

Design (Japan), 66, 1964 Cover design by Kohei Sugiura
Design (Japan), 66, 1964 Cover design by Kohei Sugiura

 

Design (Japan), 66, 1964 Back Cover design by Kohei Sugiura
Design (Japan), 66, 1964 Back Cover design by Kohei Sugiura
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Herbert Bossin and his Typographic Compositions with Folio

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Posters for the Shell Service Stations by Frank Eidlitz
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Arrows of Advertising – An Australian Shell Poster Campaign designed by Frank Eidlitz

A total of 24 posters were created for the campaign during 1964, using the arrow symbol as a key features, representing power, motion and speed. The handmade lithographs use up to 19 colours, which were individually printed at large scale. The posters also utilise the brand colours red and yellow from Shells corporate identity.
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