Design No.164 December 1972

Information

Content includes:
Printing Image⑫ Collage’72 / Ryuichi Yamashiro
Self-evident Space 72⑦ City・November 13, 1972 / Daido Moriyama
Prop Art⑫ Record Jacket / Makoto Wada
The World of Katsuo Matsumura Furniture made from Shinshu larch
5th Tokyo International Lighting Design Competition ’72: Exhibition of invited works and prize-winning works
Invited works: Minoru Takeyama, Arata Isozaki, Shintaro Tanaka, Mikiko Ishii, Takami Takamichi Ito, Masayuki Kurokawa, Shiro Kuramata, Kenji Ekuan, Satoshi Takami, Minami Tada, Naoto Yokoyama, Shigeo Fukuda, Susumu Kitahara, Kazuo Motosawa
Space of Vulgarity ⑪ Poisonous Balance / Tomomi Muramatsu; Photography: Takao Niikura
Current Magazine Theory Notes ⑪ Random Notes for Magazine Theory / Tetsuo Shimizu
Adventures of the Circle ⑪ From Moonlight to Enkou / Shinichi Kusamori; Illustrations: Arata Isozaki
Dialogue between Material and Form ⑫ Alienation, or the End of the Image / Koichiro Ishizaki
Decorative Space Theory ⑫ Texture of the World / Umino Hiroshi
Written words ⑪ Final note: Towards the semiotics of the city / Taki Koji
Design digest / Ishiwata Hisao
ID rethinking: Storage furniture design ② / Ishiwata Hisao
Award certificate and trophy design
VASE/Fault line: Sakaizawa Takashi + Yokoyama Naoto exhibition

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Design No.164 December 1972
Design No.164 December 1972
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Yoshio Hayakawa is one of Japan’s most influential post-war poster designers. His work represents a fusion of traditional Japanese art and European modernism often using soft, poetic brushstrokes and refined colour palettes and capturing the elegance of Japanese aesthetics while integrating the clean lines and bold visual language of Western design.

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Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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After researching further into the work designed by their practice, I found ten programmes designed between 1958 and 1960. These programmes were designed for a variety of live jazz events in Germany and all followed the same format.
To Have and To Hold, contains hundreds of bag designs collected during over half a century. The book is a must-buy for anyone interested in ephemera, the history of design or British high street history.