Drukkersweekblad en Autolijn Kerstnummer 1952, 1952

Information

Details

Linked Information

Drukkersweekblad en Autolijn Kerstnummer 1952, 1952. Cover design by Dick Elffers
Drukkersweekblad en Autolijn Kerstnummer 1952, 1952. Cover design by Dick Elffers

 

Drukkersweekblad en Autolijn Kerstnummer 1952, 1952. Cover design by Dick Elffers
Drukkersweekblad en Autolijn Kerstnummer 1952, 1952. Cover design by Dick Elffers
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

He designed stamps from around 1955 and in the book Karl Oskar Blase, Briefmarken-Design, Verlag für Philatelistische Literatur, 1981, he was described as one of the most influential stamp designers in Germany.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.

Members Content

In the late 1950s, Hans W. Brose agency, with designers Pierre Mendell, Michael Engelmann, and Klaus Oberer, crafted a compelling, colourless campaign for Bols.