Eye, Issue 097, Autumn 2018

Information

Content includes:
Opinion
The sound and the echo – Samir Husni, Jeremy Leslie, Angharad Lewis
Cinematic view – Critique / Photography, Rick Poynor
Features
Guilt, abstracted – Steven Heller
Surfers and divers – Anja Neidhardt
Generation font rent – Jan Middendorp
Reputations: David Driver – Martin Colyer
Liberté, égalité, typography – Simon Esterson
For the love of food and print – Steven Heller
Double vision – Madeleine Morley
The start-up that stopped – Anne Miltenburg
Point of difference – Alex J. Todd
The alternative viewpoint – Alice Twemlow
Tales from the West Coast – Patrick Baglee
This woman’s work – John L. Walters
Radical platform – Fi Churchman
Two-colour haikus – Paul Harpin, John Miles
Pulling back the curtain

Details

Linked Information

Eye, Issue 097, Autumn 2018
Eye, Issue 097, Autumn 2018
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Magalhães developed over 180 brands and in addition to developing visual identities, he also developed designs for Brazilian notes and coins.

Members Content

Albrecht Ade's students produced some great typographic compositions and print work in his typography class, here's a selection of the work and information about Albrecht Ade.

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The best poster designs from Die besten Plakate des Jahres 1957 with a translated foreword by Walter Kern. Featuring the work of J. Müller-Brockmann, Gottlieb Soland, Mary Vieira and Celestino Piatti.

Members Content

I have a real passion for collecting Cinderella stamps and other ephemera and love the artistic and historical value of these items. The scarcity of some Cinderella stamps, especially those associated with significant historical events or rare advertising campaigns, makes them highly sought after in the philatelic world.