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Content includes:
Hans Kuh – The Publicity of the Deutsche Bundesbahn
Theodor Hilten – Bill Kinser, Illustrative Advertising Art
Eberhard Hölscher – Posters from the DDR, Results of a Contest
Ludwig Ebenhöh – Polish Trade-Marks ans Signets
Carl Heussner – Carnival in Cologne 1968, Results of a Contest
L. Fritz Gruber – African Types, Photographic Interpretations by Samuel Haskins
Armin Eichholz – 40 Years of Design in Chicago The Exhibition of the Society of Typographic Artists
J.J. de Lucio-Meyer – Negus/Sharland, London, a Successful Team

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Gebrauchsgraphik, 11, 1967
Gebrauchsgraphik, 11, 1967
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Before ascending to fame within the contemporary art scene, Warhol enjoyed a thriving career as a commercial artist. His illustration work was commissioned by various magazines, including The New Yorker, Vogue, and Harper's Bazaar.
How design can transcend the logics, structures, and subjectivities of capitalism: a framework, theoretical grounding, and practical principles. A new book published by MIT Press written by Matthew Wizinsky.

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The typographic supplement from Der Druckspiegel, October, 1961 features typographic compositions designed by Herbert Bossin. Bossin has solely used the typeface Folio, to illustrate its flexibility and versatility alongside imagery provided by Lothar Blanvalet Verlag.

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The collection of works I've gathered, designed for Olympia-Werke, showcases the height of mid-century German commercial artistry. The work was collated in a branded folder and contained forty brochures, advertisements and manuals.