Information

Content includes:
J.J. de Lucio-Meyer – An Italian department-store advertises, \”The Palma d\’Oro for La Rinascente\”
Kurt Kranz – German Postage Stamps, the graphic problem en miniature
Gustave Barthel – Walter Brudi\’s artistic type-faces
Alexandre Alexandre – Publicity Chourgnoz and Crédit Lyonnais
Armin Eichhoiz – Dracula and No End, drawings by Luis Murschetz
Walter Plata – Industrial Art by Herbert Titz
Hans Niedermeier – Official graphics from Napoleonic Era
Karl Oskar Blase – The New Signet of the \”Preussag\”, results of a contest
Hans Kuh – Tomas Vellvé, Barcelona

Details

Linked Information

Gebrauchsgraphik, 2 1970
Gebrauchsgraphik, 2 1970
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Mark Bloom has designs for globally recognised brands, produces some of the finest, most accessible modern typefaces and heads up Mash Creative and CoType Foundry. His type foundry has always been a port of call for our studio's brand projects and he continues to develop these, each with a fantastic print specimen.
Triest Verlag für Architektur, Design und Typografie are a Swiss independent publisher producing specialist design books in the realms of typography, graphic design and architecture. Their books provide valuable insights and the print production is of exceptional quality. I interviewed the founders, to find out more about their books.
"Talking about myself as a designer is something that requires a powerful dialogue with my life experiences. In a radical way, I apply an exercise in which design forms become projections of life, extensions of meaning that constantly involve senses."
Parallel Public is a new publication by Sara Blaylock, published by MIT Press. The book documents the East German artists pioneering work that made their country’s experimental art scene a form of (counter) public life.