Kazumasa Nagai was born in 1929 in Osaka. He left the Tokyo National University of Fine Arts and Music in 1951 and co-founded the Nippon Design Center in 1960. Nagai achieved notable recognition by winning first place in the design competitions for the official symbols of the Sapporo Winter Olympic Games (1966) and EXPO Okinawa (1972). Between 1960 and 1988, he received numerous prestigious awards, including the JAAC Award, Asahi Advertising Award, Mainichi Advertising Award, Yamana Award, and multiple accolades from the Tokyo ADC Show.
gq 06 – A Quarterly Review of the Graphic Work, 1974. Cover design by Kazumasa Nagai
gq 06 – A Quarterly Review of the Graphic Work, 1974. Cover design by Kazumasa Nagai
Kazumasa Nagai was born in 1929 in Osaka. He left the Tokyo National University of Fine Arts and Music in 1951 and co-founded the Nippon Design Center in 1960. Nagai achieved notable recognition by winning first place in the design competitions for the official symbols of the Sapporo Winter Olympic Games (1966) and EXPO Okinawa (1972). Between 1960 and 1988, he received numerous prestigious awards, including the JAAC Award, Asahi Advertising Award, Mainichi Advertising Award, Yamana Award, and multiple accolades from the Tokyo ADC Show.
The dedication of Gebrauchsgraphiks editors and publishers significantly influenced the spread and impact of graphic design, documenting countless designers who might otherwise have been forgotten over the last century since its first issue hit newsstands. Design magazines play a crucial role in supporting the design profession and remain vital resources for designers and historians alike.
Every year the 20 best posters are selected in Germany and once more brought to the attention of the public. We do not publish all the twenty posters today; instead we add some which failed to be distinguished and which nevertheless are distinguished.
The advertising agency played a crucial role in shaping consumer culture by acting as a bridge between businesses and the media and was stated to have started in the mid-19th century.
In Rau's case, the combination of graphic design and photo produces a particularly positive result, since he uses the photo not so much as an object of representation but rather as a suggestive means of expression.
